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November 5, 2015

New Agency Partnership = Wonderful New Work

  • Posted By : Joshua Gunn/
  • 0 comments /
  • Under : Case Studies

We’re delighted to announce our partnership with Intent, a fantastic agency in Kitchener, ON.

Our relationship with Intent is a great match as they’re “a design communications agency that works with organizations that actively contribute to social good.”

When Intent’s founder, Ben Hagon, approached us about producing a video for their client, The Canadian Partnership Against Cancer, we knew we had to jump onboard. After many months of careful planning, consultations, and production we’re ready to share the fruits of our labor: Two videos that explain a vitally important component of cancer care, Patient Reported Outcomes (PROs).

A special thanks also goes out to Graeme Spicer, who graciously donated his voiceover work for this project.

 

 


October 16, 2015

Planet Nutshell Studio Tour

  • Posted By : Joshua Gunn/
  • 3 comments /
  • Under : Case Studies

How does a hardworking animation studio get stuff done? What exactly do we do all day? We like to joke that we simply push the “animate” button on our computers and sit back and let the magic happen. The truth is MUCH different. Great storytelling takes a team of committed, passionate, and talented folks who love to work together and sweat a ton of small details. It’s fun, but it’s also hard work.

Here’s a little photo tour of the studio:

Welcome! We're glad you're here.

Welcome! We’re glad you’re here.

 

Caroline

Caroline creates artwork in Adobe Flash from reference sketches in a storyboard. We create storyboards using good ole’ fashioned Microsoft Excel.

 

Trevor, our Art Director, discussing some artwork with John.

Trevor, our Art Director, discussing some artwork with John.

 

Here's a closer look at John working on his artwork in Flash.

Here’s a closer look at John working on his artwork in Flash. Again, he’s working from reference in a storyboard.

 

Trevor reviews some artwork and makes sure the color palette is working.

Trevor reviews some artwork and makes sure the color palette is working.

 

DSC01009

Brien, our motion designer, assembles many different components, including the voiceover track, and puts the artwork in motion using Adobe After Effects.

 

And here's me, looking over some client comments on a set of art assets we've sent to a client for review. We use Dropbox for that.

And here’s me. While I’m usually researching and writing scripts, offering my thoughts about art and animation choices, or making sure the bills are paid, at this moment I’m looking at Dropbox, where a client has made comments on a set of art assets.

 

 

Our little library, for inspiration and guidance.

Our little library, for inspiration and guidance.

 

A jungle scene.

A jungle scene.

 

Thanks for visiting! The Planet Nutshell team (from left): John, Caroline, Brien, and Trevor. I'm the guy in the back.

Thanks for visiting! The Planet Nutshell team:  John, Caroline, Brien, and Trevor. I’m the guy in the back.


September 28, 2015

Planet Nutshell Pricing Explained

  • Posted By : Joshua Gunn/
  • 0 comments /
  • Under : Case Studies, Uncategorized

Each week, I receive many, many requests for pricing from prospective clients. Because of our pricing, we can’t work with everyone. That’s sad, and we do wish we could work with more folks and help them tell their stories.

Before I explain our pricing, I want to mention that we work on a (very) sliding scale for non-profits and educational institutions. Planet Nutshell is committed to setting aside time each year to do work that has social, environmental, and educational impact. That’s a major part of who we are as a small company.

A typical Planet Nutshell video for a startup costs around $15,000. While that’s pretty affordable for many larger companies, it can be a stretch for young startups. But, as the saying goes, you get what you pay for. Here’s a big-picture look at what goes into that number:

1. Storytelling (vs. the dreaded feature dump)

Let’s first discuss some characteristics of many “explainer videos.” The vast majority of them are essentially a glorified list of bullet points. They might present a problem, and then go about explaining why features A, B, and C solve that problem. I get so bored by this formula that I rarely finish videos that follow it.

But why do I get bored? The culprit is an affliction I like to call the “feature dump.”  The logic of the feature dump is as follows: If we just list all of the cool features of this thing while some cool, but mostly distracting, stuff happens on screen, people will understand it and really, really want it.

Of course, this is not how humans respond to new information. For thousands of years, new information has been transmitted and retained via the vehicle of story.

What is story? It’s most often a narrative about people doing things, usually in relation to other people, and usually with some sort of emotional stakes. People remember and retain emotion. They don’t remember and retain lists of features. Why spend any money at all if you’re making something no one will remember?

Focusing on story, and knowing how to harness the power of story, is a skill. And people skilled at story are more expensive than people who know how to make bullet points.

2. Service

When you’re costing a project, carefully consider the level of service you will receive. Is the creative director available at a moment’s notice to address your concerns? Does the creative director meet with you personally and regularly to discuss your goals, your audience, and your thoughts about each phase of production?

Also, revisions are everything in this industry. How many revisions does your producer offer? At Planet Nutshell, we offer unlimited revisions on the script and storyboard phases because we understand how important it is to have a fantastic concept before production begins. Our revisions process for design and animation is also liberal, giving you peace of mind that your video will be perfect when it’s done.

In a nutshell, evaluate whether or not your producer is a volume player (aka a widget factory) or a creative studio that treats each project as if their reputation depends on it.

Planet Nutshell does virtually no marketing and we don’t have a sales staff. Much of our work comes via word of mouth, or via repeat customers. We take the money we’d spend on sales and marketing and devote it to our people and our creative processes. For us, it’s enough to let the work do the talking, and we emphasize strong, long-lasting relationships with our clients.

3. People

Ask a prospective producer who is actually making your video. Are they all working collaboratively in a single studio, or is the work largely outsourced by a project manager? Based on my experience, the former always yields better results.

At Planet Nutshell, we stand at each other’s workstations giving advice, coming up with ideas collaboratively, and helping each other grow as storytellers and animators. When the writer, storyboard artist, illustrator, and animator are working closely together in the same studio the product has a more cohesive and unified feel. Check out our studio tour.

Also, do the people making your video have a professional background? Did they go to art school? Who have they worked for? The folks at Planet Nutshell have put in the time to become formally educated in animation and writing, and during our careers we’ve worked in television, for major technology companies, and for major publications.

For nearly 10 years now, we’ve consistently made investments in top-notch people. That leads to a vastly superior product for our customers. An investment in people costs money, but our clients — and their audiences — always appreciate the special magic, the originality and creativity that only comes when it’s made by Planet Nutshell.

(The original version of this post appeared on Quora.)

 


June 11, 2015

Case Study: Foundation Medicine

  • Posted By : Joshua Gunn/
  • 0 comments /
  • Under : Case Studies

How does a Planet Nutshell video go from concept to a major biotech client’s homepage in about a month? We’ve had a relationship with Foundation Medicine for a few years now, so when they asked us to produce a video for both their homepage and their booth at the largest clinical oncology conference in the world, they knew we were up to the task.

Because we knew this video would be presented in a trade show setting, we wanted to create an experience that would draw passersby into Foundation Medicine’s booth. We assumed the environment would be noisy, so it needed to work without audio and it needed to get people to stop and take notice.

The race was on to get this project wrapped up in time for ASCO 2015.

Week 1: Script

Because we had to get this wrapped up in a week, I jotted down a few notes at an on-site meeting with the client. To streamline things even further, the final script was integrated directly into the storyboard for final approval.

Week 2: Storyboard

To save time, we created a complete design concept for the video directly in the storyboard. This allowed us to skip the design concept phase (which usually comes after the storyboard phase). It only worked because the client trusted our judgement, and because our artists are really talented!

FMI-SB

 

Weeks 3-4: Animation

We burned some serious midnight oil to make the deadline for this one. When we were done, the final product really impressed the client. I’d use the term ecstatic, actually.

 

 

Deployment

Foundation Medicine’s VP of marketing texted me this photo from the ASCO show floor, adding “The video looked great!!”

IMG_0842

 

Shortly after the show, the video went live on Foundation Medicine’s homepage. I love how they integrated it into the homepage slider.

Screen Shot 2015-06-10 at 4.46.28 PM

 


June 9, 2015

Case Study: Environmental Voter Project

  • Posted By : Joshua Gunn/
  • 0 comments /
  • Under : Case Studies, Uncategorized

Every once in a while, the planets align and wonderful things happen. I knew we were getting involved with something special when Nathaniel Stinnett, a leader in political campaign organization and environmental policy, asked us to create a video to support the crowdfunding launch of his brainchild, the Environmental Voter Project.

It shocked us to learn that, statistically speaking, the vast majority of people who care about the environment don’t vote. The reasons for this are complex and varied but, as we learned, somewhat beside the point. EVP’s goal isn’t to advocate for any environmental cause or to even raise awareness about environmental issues. Instead, EVP’s core mission is to get more environmentalists to vote. Who they vote for — Republicans, Democrats, Green Party, etc. — isn’t important. All that matters is that they show up at the voting booth.

Why, you might ask, is that simple mission so important? Shouldn’t we be concerned with encouraging people to vote for the right people and causes? Explaining the answer to those questions was the challenge Nathaniel entrusted to us.

His goal is to raise $400,000 for EVP by September 2015, so we knew a lot was riding on getting this one right.

Week 1: Discovery 

I started by sitting down with Nathaniel and listening to his vision and goals for EVP. He also presented us with an extensive business plan, a detailed pitch deck, and an early, 933-word script and visual outline for the video. My goal was to synthesize all of this into an accessible story, so I encouraged Nathaniel to consider allowing us to profile a single character with universal characteristics. And thus our heroine, Lily, was born.

 

Weeks 2-3, Script

We completed the script after a lot of thoughtful input from Nathaniel, and agreed that the third revision was the one to go with.

EVP Script

 

Weeks 4-5: Storyboard

Here’s are the first few panels from the storyboard. The final storyboard contained 123 panels.

storyboard

 

Week 6: Design Concept

After a generating a few options, we settled on a style that felt right for the EVP brand and audience. The style has a handcrafted feel but retains a sense of polish and professionalism.

lily

split screen

I voted pin

 

Week 7-9: Animation and Sound

After three weeks of putting our heads down and cranking out the animation the final product was done.

 

 

The Launch

A week after the video was completed, the campaign went live on wedid.it. The video is front and center on the donation page, helping visitors quickly understand what EVP is all about and why their donation will make a difference. As I write this, 11 days after the launch, the campaign has cleared $100,000. Not bad!

 

 

 

 


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