We’re excited to share a holiday short we created for Utah Education Network. It stars three adorable long-eared owls and features a cameo by their cheeky neighbor. Enjoy!

Recently, a prospective client called looking for a video that would dazzle investors and entice them to commit millions of dollars to their startup idea. As we discussed Planet Nutshell’s process, some past work, our storytelling philosophy, and other details, one of them asked a simple question: “Can you prove why your approach is the best?”

Now, I’ll let you in on a little secret: I have no definitive proof that our approach to short-form, online video is the best. We’ve never run a scientific test comparing our approaches to others.

So, I stammered a bit, casting about for an answer.

A few things flashed through my head: First, there are lots of statistics that attest to the power of online video, and most people get that video is a crucial online marketing medium right now. We’ve also gathered some very positive data from our clients, including Google and The Environmental Voter Project, about viewer behavior after they watch our work.

But what makes a good video, a truly effective one? That’s a tougher nut to crack, but here’s what we’ve settled on, and what I told the prospective client: Story is what matters.

Now, the words “story” and “storytelling” are two very overused terms in marketing and communications right now. That said, it can be a meaningful term. Storytelling has been with us for millennia. Before writing, it was how we effectively transmitted information in a memorable form.

So, what’s a story?

A story is about things happening, a chain of cause and effect that arrives at a destination. That means that a good story does more than impart facts or bullet points. For example, consider this video we recently created for Roca, a Boston-based non-profit. We convinced them to focus on a single character, Andre, and let his journey to redemption and a brighter future stand in for the hundreds of people Roca has served over the years.

Good stories also depend on empathy, emotion, and viewer identification. To help drive awareness of Arctic oil drilling we suggested that the World Wildlife Fund focus on two things: A story their audience already knew about (the Deepwater Horizon disaster), and dramatic imagery that would drive empathy of the plight of animals, people, and habitats that would be endangered by drilling. This is the cardinal rule of storytelling: Show, don’t tell.

You might be thinking, well, my company or product isn’t about redemption, or journeys, or environmental causes, or spiritual quests or any of that stuff. How does story apply to me? The answer is that it applies to you more than you may think! Even the slightest story elements can make your video more memorable and relatable. Consider the simple love story embedded in this video for WhatsApp:

The next time you want to make people feel more excited about your idea, perspective, or product, consider telling them a good story. Let me know how telling stories has made an impact on your communications. I’m always up for a good story.

If you enjoyed this post on storytelling, and want to hire a great one for your next video project, get in touch and let’s chat!

PS: The client hired us.

The Boston Children’s Museum has a new logo and identity. It was an honor to animate a little story about the change from old to new. Enjoy!

We’ve been working with our friends at Utah Education Network for nearly a decade now, so when they challenged us to work with them on a fun, cross-channel experience for UtahFutures, we jumped at the chance. UtahFutures is a one-stop shop for people of all ages and walks of life to discover career opportunities and plan a path to success.

After working with UEN to define the look and feel of the UtahFutures brand, we started with nine 10- to 15-second social media spots, all focused on the theme of transformation — how to get from where you are today to where you could be tomorrow. Here’s one of my favorite spots from that series:

Next, we developed a 30-second broadcast spot that combines many of the character transformations in the shorter spots and entices people to discover the UtahFutures.org site.

And lastly, our art assets were adapted for placements that will appear later this year on trains and busses around Salt Lake City.

I love how this campaign came together, and we owe it to our friends at UEN for this cross-channel strategy. As a studio that focuses on work with social and educational impact, it’s not often that we get to work on campaigns that span social media, TV, and outdoor display. We’re super proud and honored that a Boston animation studio could have an impact all the way out in Utah.