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  • More…
    • FAQ
    • Internships
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October 16, 2019

The Nutshellian Guide to Animation Internships: How to Get One & Get the Most Out of One

  • Posted By : Joshua Gunn/
  • 0 comments /
  • Under : Uncategorized
From “Maplewood” by Planet Nutshell’s Fall 2019 intern, David Oneacre

The past few months have found us knee-deep in fall and winter internship applications, and the process revealed a few things. 1) There are a ton of talented young animators out there. 2) Our resident animator Mollie Davis is basically an internship expert. Seriously, she’s had so many awesome internships, she has trouble remembering them all — “I had 4. Oh no, wait! I interned there, too! I had 5!”

Given these two discoveries, we thought we’d share some of Mollie’s best tips for aspiring animators. She not only has great advice for how to land your dream internship but how to get the most out of the experience once you’re there.

1. It starts with the reel.

Though you should give thought to your resume and cover letter, your reel and portfolio are the #1 things potential internships will look at (and yeah, scrutinize a little). Reels should be about a minute long and cut to a great track. However, since so many people watch things on mobile, make sure the reel is compelling when viewed silently, too. Lastly, put your best work at the beginning and the end, since busy internship coordinators may watch the first few seconds, then skip straight to the end.

2. Show your work-in-process.

While your portfolio should include your best finished work, think about including sketches, animatics, whatever pieces you have from the process itself. This won’t just show your technical competency but also your storytelling and revision skills.

3. Once you’re there, listen & observe.

Though you may work on some great projects during your internship (maybe even some for real clients that pay real dollars), just being in a studio setting is a valuable experience, so pay attention to what’s going on around you. How do the the producers and the creative team interact? How does the creative director present work to the client? Though teamwork and communication are referred to as “soft skills,” there’s nothing “soft” about them, and they can help you succeed when you land your first job.

4. Ask questions… but the right questions.

Internships are a time to ask questions, but do yourself — and your supervisor — a favor and make sure your question can’t be answered by a quick Google search first. This won’t just save your supervisor from potential frustration, it will help to spark more thoughtful discussions, since you will have gotten some baseline knowledge about the issue from your initial search.

5. Stay loose & push yourself.

Your first internship in animation can be intimidating, but remember: they like you, and they like your work. Otherwise, they wouldn’t have given you the gig, right? So use this time to step outside your comfort zone and push yourself. The feedback you get from people in the field is so much different than feedback you get from professors, since professors often care about fostering your creative voice, and working studio animators can teach you a lot about the process itself and how to do things quicker, better and more efficiently.

So that’s it! Our resident internship expert’s five tips for how to be an awesome intern.


September 24, 2019

The Last 10%: How to Take Your Animation from Good to Great

  • Posted By : Joshua Gunn/
  • 0 comments /
  • Under : Uncategorized

After 12 years (what?!) of running Planet Nutshell, I’ve gotten pretty good at seeing what’s working and what’s not when it comes to our videos. What once took me hours of trial and error now involves a few seconds of decision-making. I’ve also learned that the difference between a good animation and a great one is not so vast a difference at all. It really comes down to one crucial last push, or that last 10%, as I like to call it.

Jennifer Sanchez is our incredible art director. She’s someone I count on to do that last 10% 100% of the time, so I figured there was no one better to sit down with and chat about how exactly to turn a project from good to great.

Below are her fantastic insights (with a few of my mumblings as well).

Jen: Make every movement count.

“Don’t think of animation as just a vehicle of carrying a character/object from pose A to pose B. It’s much more than that. Animation can convey so many different emotions/meanings depending on timing, easing, expression, energy, and countless other factors.

When animating characters, think of their motivation for everything they do. If they’re walking from one side of the room to the other, try to keep their motivation in mind. Are they excited? Chances are they’ll skip or leap across the room. Are they sad or bored? They’ll probably drag their feet and take longer than the first scenario.”

Josh: Timing is everything.

“Watch your work obsessively, and while you do, try to put yourself in the mind of your viewer. Are you lingering long enough on a shot? Should other shots be tightened up? Imagine you’re guiding your viewer through a maze in which every turn must be perfectly timed to make the experience feel satisfying.

Perfect the timing. Watch again. Perfect the timing again. Keep going until it feels exactly right.”

Jen: Settling is good… in animation that is.

“Learn what it means to settle in mograph and character animation. Settling in mograph makes movements/animations a lot more dynamic and energetic. It can add a little personality to text popping on the screen, or help shift the eye’s focus from one side of the screen to the other.

If you want characters to appear as natural/convincing as possible, adding a settle at the end of a movement could really bring your characters to life. Unless your character is a robot with laser precision, most characters tend to overshoot their movements, especially if they’re excited or moving quickly.”

Jen: Looking for that special sauce? Try textures and overlays.

“While there are a lot of great animations created in a flat vector style, I’m partial to something with a bit more texture. Adding texture tends to give the animation a more handcrafted feel. It also helps disguise any banding issues that certain gradients or settings might create. Overlays can be fun to play around with and can change the feel of a video depending on what colors/ blending modes you use.”

Jen: Hearing is as important as seeing.

“While visuals are important, finding the right music, sound designer, and voiceover artist can really take it to the next level. Sound, when done right, adds another, almost magical dimension, to a visual experience. Never skimp on sound.”

Josh: Focus relentlessly on story.

“Every decision you make in a piece should be in service to telling a great story. What is story? It’s a lot of things, but here’s a great start at understanding it. When you’ve unlocked the power of story, you’ve found the illusive formula that transforms a ho-hum video into an experience that viewers can’t turn away from. Ask yourself, ‘Is this video demanding my viewers’ attention at every turn?’ If the answer is no, get back to work!”

Want to see these tips in action? Check out this project we did with our friends at Adaptive Biotechnologies.


August 28, 2019

Apply Now for Fall/Winter Internships at Planet Nutshell

  • Posted By : Joshua Gunn/
  • 0 comments /
  • Under : Uncategorized

Want to gain professional experience in a production studio? Planet Nutshell is looking for a stellar intern to join our team.

At Planet Nutshell we’re all about telling great stories and creating animation with impact. We’re looking for someone who wants to learn and assist with our production process, from concept and storyboarding to designs and animation. Under the guidance of our team, you’ll have the opportunity to collaborate with other designers and animators while honing your artistic skill.

What you need:

  • Positive attitude and willingness to learn
  • A willingness to look at your own work with a critical eye, listen to feedback, and make changes accordingly
  • Length of internship and daily hours are negotiable.
  • You must have basic-level skill with After Effects and Adobe Illustrator.

What we offer:

  • A casual and cozy atmosphere in Central Square in Cambridge, steps from the Red Line.
  • Guidance and mentorship to help you build your portfolio and professional work experience.
  • A flexible schedule
  • Current students can earn credit, or if you’re just out of school you are eligible, as well.
  • You will be paid for any client work you do.

To apply, please complete the Planet Nutshell Intern Questionnaire here.


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