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  • Work
  • About
  • Contact
  • Stories
  • More…
    • FAQ
    • Internships
    • For Teachers
      • Artsville
      • Climate Science
      • Early Learning Series
      • Fun with Physics
      • Math Shorts
      • NetSafe
      • Utah Futures
      • Yana & Egbert
    • Terms & Conditions
September 16, 2020

Meet Our 2020 Fall Intern

  • Posted By : Joshua Gunn/
  • 0 comments /
  • Under : Uncategorized

We’re happy to welcome our fall intern to the team and are excited to have him on our planet. We can’t wait to see what he creates!

Sean Harman

Hi! My name is Sean Harman and I am a recent graduate of Ringling College of Art and Design with a BFA in Motion Design. I enjoy creating 3D and 2D animations with Cinema 4D and After Effects. Besides design I also enjoy art history, record collecting, cooking, and anything related to the ocean. When I am not in the studio or in font of my computer you can find me training for half marathons, sailing, or dancing.


September 15, 2020

Coming Soon: “Azúcar,” Our First Original Short Film

  • Posted By : Joshua Gunn/
  • 2 comments /
  • Under : Uncategorized

UPDATE: July 28, 2021

We’ve spent the better part of the summer putting the finishing touches on the film. We’re on track to submit it to the festival circuit in the fall, and with any luck you’ll be able to see it at a film festival near you very soon. Stay tuned; we’ll have more updates as we near completion about where you can see the film.

UPDATE: April 1, 2021

Today we’re releasing a new trailer with never-before-seen footage and a few more hints about the story arc. Enjoy!

UPDATE: September 15, 2020

Frankly, we’ve been waiting for today for a long time. Because today is the day we finally get to reveal a project we’ve been working on for months — Azúcar. Azúcar is the story of a mother and son searching for a better life. They have traveled over 1500 miles from Honduras to the US border, and tonight, they attempt to cross the Rio Grande… and find nothing goes as they had planned.

Azúcar is our first narrative short film, and rest assured, we will have plenty more to share before its planned release in Winter 2021. For now, though, please enjoy this first look, along with some words and insights from the production team.


July 20, 2020

Animation: A How-to Guide for Remote Production (Part 2)

  • Posted By : Joshua Gunn/
  • 0 comments /
  • Under : Uncategorized

Welcome to Part 2 of our Remote Production Guide. In Part 1 (which you can read here), we covered some of the tools we use to keep the studio running on a larger operational level, but here, we’ll be talking about the creative collaboration tools we use to tackle individual projects, from discovery to delivery. We’ve even got a real-life case study to use for example — our newly released Christmas in July project for Shriners Hospitals for Children. Let’s dive in!

Step 1: Discovery

As our Creative Director, it’s Josh who meets with the Client (via Google Hangout or over the phone) to go over what they hope accomplish: messaging takeaways, audience, total run-time, live-action components, project timeline, budget etc. The client is the expert on the subject matter, and we want to ask smart questions so that we can educate ourselves and use our creativity most effectively to make something great together.

Step 2: Scheduling

Shriners Instagantt scheduling each stage of production.

Fearless producer Sam dons his noise-cancelling headphones and boots up Asana and Instagantt. He lays out the schedule for each phase based on the project’s total run-time, and then works with the team to schedule freelancers as needed. These two programs work in tandem, so what is inputted into Instagantt connects to Asana, which ultimately gives each team member their individual list of tasks and due dates.

Step 3: Script

We leave Josh alone for a couple of days so can synthesize the information he gathered during his Discovery meeting and turn it into a Planet Nutshell-worthy script aka one that is succinct, clear, and fun. Depending on the project and the required voice, he may also work with a freelance writer. Both Josh and our freelance writers use Google Docs for quick collaboration.

Step 4: Storyboard

Storyboard frames with the script divided into cells with initial drawings.

Once the script is finalized and approved by the client, we have a storyboard meeting and put the script into Boords, an online storyboarding software platform. We draw out each frame and include description of each shot as well as arrows to illustrate camera movement. We love that Boords is client-friendly; we can send the storyboard directly through their platform to the client for feedback and approval.

Step 5: Style Frames

Two style frames showing the look before diving into the full design.

Using the client’s brand guideline as well as our learnings from the Discovery meeting, we create an illustration style and provide client with 2-3 style frames. This gives the client an opportunity to make any tweaks before we dive into the full design.

Our in-house team and our freelancers use Adobe Illustrator, and for seamless remote communication, we rely on Dropbox and Slack.

Step 6: Design

Designing the beach scenes.

Once the style frames are approved, it’s full steam ahead for our designer to tackle the rest of the frames with the approved design style, including characters, backgrounds, props etc.

Step 7: Voiceover

While everything is being designed, Josh and Sam cast a voiceover actor and direct the recording session via phone patch, directly into the talent’s home recording booth. The talent sends over the recorded files, Sam throws the raw files into Adobe Premiere, we choose the best takes, then edit and export via DropBox to the larger team.

Step 8: Animation

Animating the motion graphics in After Effects.

Phew! We finally made it to animation!

Our animators both in-house and out take the design files and, using the voiceover for timing, dive into animation using Adobe AfterEffects (for motion graphics) and Animate (for character animation). We use DropBox and Slack to share the work internally, then assemble the pieces together into one file.

Step 9: Client Review

Vimeo Review page with Client comments.

We send the rough cut off to the Client for approval using Vimeo Review, where the Client is able to make timecode specific comments, streamlining the process immensely!

Step 10: Sound Design

We also send the rough cut off to our sound design freelancers (shout out to Taiko Sound!) who create the audio landscape, making the animation truly come to life. For music, we choose a song that fits the tone of the animation, and download a preview file for client approvals. After approval, we purchase the full track. We’re fans of Premium Beat!

Step 11: Sharing our Work

Shriners campaign website featuring our artwork!

Once the sound design is final and the animation has been approved, we edit them together in Adobe Premiere and export the shiny new video.

We send the video to the client, and it is ready for them to share on their website, social media and anywhere they want, for all the world to see! Then we upload to our Vimeo page and website, schedule it for Instagram and Facebook, and cheer “HOORAY!” for a few minutes before diving back into the other animations we’re working on.

  • Jen
  • Josh
  • Sam
  • Mollie
  • Joy
  • Liz
Some of our stellar team working from home.


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