I’m delighted to report that we just survived our busiest year in our 12-year history, with a total of 25 projects (yikes!), including a couple of multi-part series. As we look forward to our much-deserved holiday break, here are some highlights, in order of production date, from our planet’s stunning trip around the solar system.

Thread.org

Thread is weaving a new social fabric by bringing together young people and volunteers to reimagine and reaffirm the notion of family. Learn more at Thread.org.

Adaptive Biotechnologies

Our work for Adaptive Biotechnologies explains how the adaptive immune system works, how we can learn from the ways it adapts and responds to foreign invaders, and how Adaptive Biotechnologies can apply that knowledge to the diagnosis and treatment of human disease.

More Adaptive Biotechnologies… In Times Square!

Adaptive asked us to create a Times Square “domination” experience across dozens of panels in New York’s Times Square.

Artsville Series

Our friends at KET came to us with the need for a series of arts education-focused shorts. We pitched the idea of an artsy town where everyone is busy expressing themselves. And so the idea of Artsville was born. The episode above, which features a doggie arts show, is the third in the series. See the whole series on PBS Learning Media. We’ll be producing more of these in 2020!

Boston Book Festival

We spun a yarn about why it’s so important to give to a fantastic Boston literary event.

Shriners Hospitals for Children

We worked with the amazing team at Shriners to promote their 2019 Giving Tuesday campaign. Love to the Rescue! Learn more and donate.

Utah Education Network

This year marks our eleventh year of working with Utah Education Network. We created a broadcast holiday spot for them that encourages viewers to press pause and enjoy the season.

None of this work could have been done without the incredible work of our in-house production team, as well as our freelancers. Here are all the people and production houses who helped make our biggest year yet possible:

Jen Sanchez, Mollie Davis, Liz Breen, Kharma Jones, Jody Snider, Sam Berliner, Nati Brondani, Jake Williams, Zara Magumyan, Ethan Barnowsky, Moonwatch Media, Taiko Sound, Amelie Wang, David Oneacre, Louis Wesolowsky, Brien Hopkins, Daniel Lovering, Nick Iannaco, Ana Hill, Brad Schwab, Sonnye Lim, Hannah O’Neal, GoLocalise, and lots of voiceover talents (you know who you are!).

And of course, a huge thanks to our 2019 clients:

• Adaptive Biotechnologies
• Agios Pharmaceuticals
• Alloy Therapeutics
• Bagamor Media/Flagship Pioneering
• Boston Book Festival
• Conservation Law Foundation
• Gentle Giant Moving Company
• George Bard
• IDbyDNA
• Kentucky Educational Television
• Knovva Academy
• Legal Aid of Oklahoma
• MIT
• Shriners Hospitals for Children
• Small Army/Dassault Systemes
• Small Army/GE
• Small Army/Healthleads
• Utah Education Network
• UtahFutures
• WGBH Boston

Quite often, our clients, particularly those in the biotech and health fields, come to us with a complex product, process or service that they want to explain. They know all the ins and outs, all the intricacies, but what they need help with is boiling it all down. They need to explain something they’ve been working on for two, three, ten years now in the span of a minute or two. After 12 years of serving life sciences clients, the Planet Nutshell team have some tricks that help us to streamline any story, no matter how complex.

Let’s say a biotechnology startup such as, oh, I dunno, IDbyDNA has an impressive genetic test that could help revolutionize the way communicable diseases are treated. The test relies on something that sounds fancy and intimidating: metagenomics. 

Here’s how we’d attack this challenge:

Step 1: Know Your Audience (and Yourself)

This is the most important step, as so much depends on who’s on the receiving end of your explanation. Possible audiences might include potential investors, journalists, colleagues, employees, and the classic catch-all category known as “everyday people.” 

The complexity of your explanation will naturally change depending on the audience, but the thing is, your understanding of the topic should not. That means that in order to explain metagenomics at the most elementary level (the everyday people level), you (the explainer) must understand metagenomics really well because explaining things in simple terms requires one to make connections and analogies that further understanding, rather than just imparting information.  

Step 2: Stay Structured

Let’s say we’re going after the most difficult audience — everyday people. The way we structure our narrative about metagenomics is crucial to imparting meaning and understanding. Quite often, I adopt a framework that roughly maps to the classic three-part story structure — a beginning, middle, and end that clearly identify the why, what and how. In my experience people can easily hold ideas in sets of threes. After that, things can start to go a bit hazy. 

With the rule of threes in mind, here’s how I’d structure our little story about metagenomics: 

• Beginning: There’s a problem. It’s difficult for doctors to figure out what the heck is making people sick. This new thing called metagenomics can help. That’s because DNA is a fantastically accurate way of identifying the things that make us sick. 

• Middle: There have been a lot of approaches to identifying bugs before now. They’re kind of crappy. Here’s how and why metagenomics is better.

• End: Boil everything down. What does it mean for the lives of patients?

As you can see, much of explanation is about placing a topic (metagenomics) in context with other things the audience likely knows a little bit about (viruses, bacteria), to show how the new thing is special and worth caring about. 

I’ve marked up the script for our recent metagenomics video to show the three-part structure in more detail.

Step 3: Appeal to The Feels

Our emotions are inextricably linked with our thoughts. That’s why people are most likely to understand something if they also feel something. There are many ways to make explanations appeal to the head and the heart, but it’s probably best to explain how it’s done by example. 

To really drive home the emotional stakes of our explanation, Jen, our Art Director, wisely decided to go with a scene that shows a father and his hospitalized daughter. Here’s how the frame ended up looking in the final video: 

Step 4: Get Metaphorical

Meanwhile, explanation can often be enhanced with metaphor (okay, it’s really usually simile, but that’s just me being a nerd). When you use a metaphor, you’re essentially saying “Hey, viewer, this thing over here that you’re really familiar with? Well it’s actually a lot like this really complex thing.” 

Metaphors can be subtle, and they need not be written into the script. Visual metaphors are extremely powerful, as well. For example, in our metagenomics video Jen proposed the well-known image of a force field to show how bugs become resistant to certain treatments. 

Using all of these principles and more, we ended up with a tidy, clear 2-minute video about metagenomics for our friends at IDbyDNA. Check it out and let me know if you have any thoughts about it, or the art of effective explanations in general. 

Want to learn more about how to explain complicated things in simple, compelling ways? Check out Randall Monroe of xkcd’s Thing Explainer, which identifies 1000 of the most-used words in English and then uses them to explain some of the most complex things in everyday life. I also recommend The Back of the Napkin, Dan Roam’s popular guide to visual thinking and explanation, and Lee Lefever’s The Art of Explanation.

After 12 years (what?!) of running Planet Nutshell, I’ve gotten pretty good at seeing what’s working and what’s not when it comes to our videos. What once took me hours of trial and error now involves a few seconds of decision-making. I’ve also learned that the difference between a good animation and a great one is not so vast a difference at all. It really comes down to one crucial last push, or that last 10%, as I like to call it.

Jennifer Sanchez is our incredible art director. She’s someone I count on to do that last 10% 100% of the time, so I figured there was no one better to sit down with and chat about how exactly to turn a project from good to great.

Below are her fantastic insights (with a few of my mumblings as well).

Jen: Make every movement count.

“Don’t think of animation as just a vehicle of carrying a character/object from pose A to pose B. It’s much more than that. Animation can convey so many different emotions/meanings depending on timing, easing, expression, energy, and countless other factors.

When animating characters, think of their motivation for everything they do. If they’re walking from one side of the room to the other, try to keep their motivation in mind. Are they excited? Chances are they’ll skip or leap across the room. Are they sad or bored? They’ll probably drag their feet and take longer than the first scenario.”

Josh: Timing is everything.

“Watch your work obsessively, and while you do, try to put yourself in the mind of your viewer. Are you lingering long enough on a shot? Should other shots be tightened up? Imagine you’re guiding your viewer through a maze in which every turn must be perfectly timed to make the experience feel satisfying.

Perfect the timing. Watch again. Perfect the timing again. Keep going until it feels exactly right.”

Jen: Settling is good… in animation that is.

“Learn what it means to settle in mograph and character animation. Settling in mograph makes movements/animations a lot more dynamic and energetic. It can add a little personality to text popping on the screen, or help shift the eye’s focus from one side of the screen to the other.

If you want characters to appear as natural/convincing as possible, adding a settle at the end of a movement could really bring your characters to life. Unless your character is a robot with laser precision, most characters tend to overshoot their movements, especially if they’re excited or moving quickly.”

Jen: Looking for that special sauce? Try textures and overlays.

“While there are a lot of great animations created in a flat vector style, I’m partial to something with a bit more texture. Adding texture tends to give the animation a more handcrafted feel. It also helps disguise any banding issues that certain gradients or settings might create. Overlays can be fun to play around with and can change the feel of a video depending on what colors/ blending modes you use.”

Jen: Hearing is as important as seeing.

“While visuals are important, finding the right music, sound designer, and voiceover artist can really take it to the next level. Sound, when done right, adds another, almost magical dimension, to a visual experience. Never skimp on sound.”

Josh: Focus relentlessly on story.

“Every decision you make in a piece should be in service to telling a great story. What is story? It’s a lot of things, but here’s a great start at understanding it. When you’ve unlocked the power of story, you’ve found the illusive formula that transforms a ho-hum video into an experience that viewers can’t turn away from. Ask yourself, ‘Is this video demanding my viewers’ attention at every turn?’ If the answer is no, get back to work!”

Want to see these tips in action? Check out this project we did with our friends at Adaptive Biotechnologies.